

Rising, the Pusher trilogy), it’s not an unconventional film, nor is it one that And although much of its appeal owes to the powerfully original filmmaking ofĭirector Nicholas Winding Refn ( Valhalla Drive is an exhilarating crime picture - one that marks the continued maturation of an important young directorĪnd one that will inevitably push Ryan Gosling’s star one step higher on Hollywood’s A-list. (though it certainly winks at that film in many obvious ways), and it isn’t a Quentin Tarantino-esque retread of drive-in pulp either. Confidential-style period piece, nor is it a tribute like Walter Hill’s 1978 cult classic The Driver

Make no mistake about what Drive is and isn’t: it isn’t an L.A. New films are usually off-limits here, but it isn’t often that such a classicly rendered film noir hits the mainstream.
